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An old man and his old woman live in a remote Kazakh village. People call the old man Shorty Kairgali without malice. Kairgali has known his old lady, Kulpash, since high school. So they've been together for forty years. And maybe even more. Shorty also has two restless friends: Baybet and Saskebai, who were once in love with Kulpash. And then one day…

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Before going to Tokyo from her hometown of Mishima, Fukushima Prefecture, Kyoko stopped by at Tsuchiyu Onsen and was handed an "old woman's skin." This allowed her transform herself into an old woman, enabling her to find out what's truly in the heart of the man she cares about ...

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Różewicz's play from 1968 is rather a dramatized picture, closer to the open formula of poetry than to the traditional dramatic structure. This is an important voice of a poet concerned about the future of the world. The drama shows a civilization threatened with extinction, dominated by consumerist ideals, mental emptiness, disappearance of authorities and moral decay. The title character symbolizes life, energy and the immutability of the basic laws of nature. In Barański's staging, he moves in a wheelchair. The piece consists of two parts. The first takes place in a botanical garden, the second in the scenery of a huge junkyard, which symbolizes modern civilization.

An elderly woman is determined to board an omnibus that does not want to stop for her.

The Close - A quiet neighbourhood - but the peace is shattered as the residents fail to navigate the familiar and mundane moments of everyday life - in the most chaotic way.

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